Some time in the near future, university lecturer Caspar receives a gift from a former student called Liv: a memory stick containing a virtual narrative. Hooked up to a virtual reality bodysuit, he becomes immersed in the experience of their past sexual relationship. But this time it is her experience. What was for him an erotic interlude, resonant with the thrill of seduction, was very different for her—and when he has lived it, he will understand how.
A convicted paedophile recruited to Liv’s experiment in collective consciousness discovers a way to escape from his own desolation.
A synthetic boy, designed by Liv’s team to ‘love’ men who desire adolescents, begins to question the terms of his existence.
L, in transition to a state beyond gender, befriends Liv, in transition to a state beyond age.
Liv herself has finally transcended the corporeal—but there is still the problem of love.
An Uncertain Grace is a novel in five parts by one of Australia’s most inventive and provocative writers. Moving, thoughtful, sometimes playful, it is about who we are—our best and worst selves, our innermost selves—and who we might become.
Krissy Kneen is the award-winning author of the memoir Affection, the novels Steeplechase, Triptych, The Adventures of Holly White and the Incredible Sex Machine, and the Thomas Shapcott Award–winning poetry collection Eating My Grandmother. She has written and directed broadcast documentaries for SBS and ABC television.
Krissy Kneen does not simply perform the difficult feat of writing wittily about sex, she does so with aplomb. An Uncertain Grace is a formally ingenious and often amusing novel that combines eroticism and science fiction with a playful spirit of intellectual inquisitiveness. Its imaginative conceits and clever manipulations of point of view are used to explore the themes of mismatched desires, mortality, the looming prospect of environmental disaster, and the post-human implications of technological advances. Kneen is interested in the tantalising possibilities created by the invention of virtual reality, particularly the astonishing prospect that one might literally inhabit another person’s perspective, an idea Kneen links to the experiences of writing and reading fiction and the opportunities these provide for inhabiting the consciousnesses of various characters. Each of the novel’s five sections has a different narrator. Their overlapping stories, linked by the recurring figure of Liv, an academic who specialises in ‘narrative’, develop into a meditation on the meaning and constraints of embodiment and the concept of gender in a futuristic world that has rendered these realities fluid and changeable. Kneen’s writing, by turns playful and elegant, is never less than stimulating, in the literal and figurative senses of the word.