The 2014 Stella Count is the most comprehensive survey of Australian reviewing yet. The data shows the ratio of books by men and women reviewed in 12 major Australian review publications, including national and state newspapers and influential magazines and review journals. This information was compiled by the Stella Prize in conjunction with Books+Publishing, with assistance from researchers at Deakin University, as well as Dr Julieanne Lamond at ANU and Dr Melinda Harvey at Monash University.
As in previous years, the 2014 Stella Count has collected information on the gender of authors reviewed and the gender of reviewers. This year, however, the scope of the data collected was also expanded substantially to include the size of reviews and the genres most frequently reviewed (fiction, nonfiction, poetry and children’s books).
The result has been a more nuanced data set that has enabled us to identify patterns regarding what sorts of books by male and female authors are more frequently reviewed at each publication.
As with the 2013 Stella Count, the greatest gender disparity in the authors reviewed was seen in the two major national papers: The analysis of the Australian Financial Review’s results (which included reviews from the supplement magazines AFR Magazine and AFR Boss) yielded similar results to previous years, with 77% male authors and 23% female authors reviewed in 2014 (85% male in 2013, 80% in 2012, and 79% in 2011). The other national newspaper, the Weekend Australian, reviewed fewer female authors than last year, with 69% male authors and 31% female authors (compare this to 65% male in 2013, and 70% in both 2011 and 2012).
Encouragingly, most major state papers hovered relatively near to equal author gender representation, including the Sunday Tasmanian (48% male, 52% female), the Advertiser (49% male, 51% female), the Daily Telegraph (54% male, 46% female), The Sunday Age (55% male, 45% female), the Courier-Mail (56% male, 44% female) and the West Australian (56% male, 44% female).
The Saturday review sections of The Age and Sydney Morning Herald, which are syndicated across the two newspapers, reviewed 60% books by men and 40% books by women.
Books+Publishing was the only publication researched that had a significant majority of reviews of books by female authors, with 36% male authors and 64% female authors.
Analysis continues after pie charts.
The gender proportions of reviewers varied between publications, but most had a fairly even split, or a significant majority of female reviewers. The exceptions were the Weekend Australian (71% male reviewers), the Australian Financial Review (84% male reviewers) and The Monthly (68% male reviewers).
As in the 2013 Stella Count, this year’s data showed that, in the vast majority of publications, books by male authors were more often reviewed by men. This was not only in the case of men; a pattern was observed, in which each gender more frequently reviewed authors of the same gender. Conversely, the proportion of reviews by men of female authors was less than 17% across all 12 publications surveyed, regardless of how evenly authors of both genders were reviewed overall.
Men generally reviewed books by men two to three times more often than they did books by women. At The Age/Sydney Morning Herald, for instance, 39% of all reviews were by men, of men. 15% were by men, of women, while 25% were by women of women and 21% were by women of men.
Examining genre with respect to author gender revealed which types of books are most widely and frequently reviewed. Publications that reviewed more men than women tended to publish a greater number of reviews of nonfiction books than of fiction. For instance, 87% of reviews published in the Australian Financial Review were of nonfiction – and 68% were of nonfiction by men. At the Weekend Australian, works of fiction and nonfiction by women each drew 12% of the total review coverage; 21% of reviews were of fiction by males and 37% of nonfiction by males.
These statistics point to a trend of proportionally fewer nonfiction works by women being reviewed at most publications.
In The Age and Sydney Morning Herald, for instance, while works of fiction by male and female authors were reviewed with similar frequency (25% and 22% respectively of total reviews respectively), the nonfiction reviews showed a stark gender disparity. 16% of the all books reviewed were nonfiction by women, and 33% were nonfiction by men. (The remaining 4% were reviews of children’s books; the number of works of poetry reviewed was not statistically significant.)
At Australian Book Review, 56% of all books reviewed were nonfiction, the authors of which were more than twice as likely to be male than female (38% of books reviewed by ABR were nonfiction books by men; 18% were nonfiction books by women).
For the first time in its three-year history, the 2014 Stella Count has compiled data on the approximate size of each review, classifying them as small (capsule reviews under 200 words), medium (300–900 words), or large (longer-form reviews of over 1000 words).
This has revealed which size of review is most often assigned to which author gender by each publication. While some publications (notably the Daily Telegraph, the Advertiser, and the Sunday Tasmanian) had relatively equitable results, most others appeared to favour medium and large reviews of books by men over those of books by women.
For instance, Australian Book Review reviewed 62% male authors and 38% female. Despite the ratio favouring males overall, their small reviews were almost equally distributed among books by male (11%) and female (12%) authors, and books by men only slightly outperformed those by women in medium-sized reviews (26% and 19% respectively). However, in large reviews (and, hence, those generally afforded greater prominence) the gender disparity was far more marked: just 7% of the total were large reviews of books by women; while 25% were large reviews of books by men.
The Age and Sydney Morning Herald’s results by size were largely consistent with their overall results of 60% male and 40% female authors reviewed, while their small and medium-sized reviews were weighted towards male authors slightly more often (24% of the total reviews were small ones of books by women and 31% were small reviews of men; 13% were medium reviews of women and 19% of men), the large reviews focused on books by men more than three times as often as they did books by women (10% were of books by men, but just 3% were of books by women).
The Sunday Age’s results told a similar story. While small reviews were split fairly evenly (33% female authors; 30% male authors), medium reviews were more than twice as likely to be devoted to male authors (24% male; 11% female). In the Weekend Australian, large reviews were three times as likely to cover books by male writers (15% male, 5% female), and medium reviews were twice as likely to do so (48% male, 23% female).
Many publications had a slightly more pronounced gender disparity than was shown in the 2013 Stella Count, dropping several percentage points lower in their coverage of women authors in 2014. These included the Weekend Australian, the Sydney Morning Herald and The Age, The Sunday Age, The Monthly and Australian Book Review.
The scope of this study is not to speculate on what has caused these fluctuations. However, the 2014 Stella Count does show the ways books by men and women are often treated differently when several factors are taken into account – the gender of the reviewer, the size of review and the genre of the book reviewed – all of which are cause for concern.
A book of nonfiction by a woman has half the chance of being reviewed by The Age or SMH than one by a man. Perhaps this is because women are publishing fewer books of nonfiction, or perhaps those they do publish are less likely to engage with topics that are considered for review. We do know that gendered reading habits, established early in life, can become entrenched and lead to the kind of unconscious bias that may disincline a male reviewer to choose a book by a female author, or cause an editor to commission a male reviewer over a female reviewer for a certain book.
Full data for every publication surveyed is available by clicking through to individual pages via the pie charts above. The 2014 Stella Count analysis is intended to generate conversation and draw attention to areas of Australian literary reviewing where a lack of gender diversity and equitable representation is demonstrated by publications in some aspect of their reviewing. Many media outlets are publishing a commendable and wide variety of reviews, and contributing positively to the ongoing development of a rich and diverse Australian critical culture.
We intend to expand the Stella Count still further in 2015, and to broaden our scope to collect data about race, disability, non-binary gender identification, and sexual orientation. It is our hope that this will enable us to accurately identify the extent to which these elements affect the review coverage received by authors from different backgrounds, particularly marginalised groups.
Books with two authors or an author and illustrator of the same gender were included in this Count and logged under their shared gender.
Anthologies and other books with both male and female authors or more than two authors were excluded from this Count. In all cases they made up less than 1% of the total data.
Every effort has been made to ensure these statistics are accurate, and any publication for which we were unable to obtain sufficient or reliable data has been excluded from the Count. This Count surveyed print publications only.
We welcome corrections or comment from publications, editors or reviewers. Individuals and organisations who wish to view the raw data of this Count can arrange to do so by emailing firstname.lastname@example.org.
This information was compiled by the Stella Prize in conjunction with Books+Publishing, with assistance from researchers at Deakin University, as well as Dr Julieanne Lamond at ANU and Dr Melinda Harvey at Monash University.
The Stella Count was made possible in part thanks to financial support from the Copyright Agency Cultural Fund.
Huge thanks to our tireless and thorough 2014 Stella Counters:
The analysis of the 2014 Stella Count was compiled by Veronica Sullivan, Stella Prize Manager.